Newsflash from Jerusalem: Pot Calls Kettle Black

A truly pitiful example of the ideologically inspired and financed archaeological work in the “City of David.”  Is this a battle for “science” or just envy in not being allowed to claim the credit for another “this land really belongs to us” claim.  

Jeremiah’s Pit would have been another fine addition to the bogus Mazar corpus.  See, for example, blog report from Feb. 22, 2010.

Of course with Mazar or without her, this biblical chimera could still become a tourist attraction and a rationale for expropriation.   When will this government-approved misuse of archaeology stop?

Dr. Eilat Mazar expounding to the press, Feb. 2010

From Haaretz October 11, 2001

Top archaeologist decries Jerusalem dig as unscientific ‘tourist gimmick’

Dr. Eilat Mazar, who worked in close cooperation with the group – which promotes the ‘Judaization’ of East Jerusalem – says excavations carried out in violation of accepted procedures.

By Nir Hasson

An archaeologist who worked with the Elad association in Jerusalem’s City of David claims that the association and the Antiquities Authority are carrying out excavations “without any commitment to scientific archaeological work.”

Dr. Eilat Mazar – a Hebrew University archaeologist who worked in close cooperation with Elad over past years, and who is considered one of the most productive researchers in Jerusalem and in the City of David area in particular – has castigated Elad for the excavation of a large subterranean pit, called “Jeremiah’s Pit,” at the entrance to the City of David visitors’ center complex.

In a sharply worded letter she sent 10 days ago to Prof. Ronny Reich, chairman of the Archaeological Council, Mazar demanded an urgent discussion of the excavations, which she says are being carried out in violation of accepted procedures.

Mazar’s claims against Elad are being leveled at a crucial time as a proposed law to privatize public parks is being considered. If approved, the bill will enable Elad, a private association which excavates, maintains and conducts tours of the City of David, to maintain control of the historic site – situated in the predominantly Arab village of Silwan, adjacent to the Old City.

“To my astonishment I discovered that for over a year Elad, together with the Antiquities Authority, has been secretly planning a tourism gimmick called the ‘Jeremiah’s Pit Project,” writes Mazar in her letter, noting that the excavation is only two meters away from the excavation area that she directed between 2005 and 2008. She says that she wanted to continue digging in the present area, but was prevented from doing so “for logistical reasons, since north of the site the Antiquities Authority permitted Elad to build a special events hall,” and because of the area’s proximity to a residential building and a road.

Mazar claims that the excavation in the area of the pit contravenes several accepted practices in archaeology, among them, the digging up of an unusually small area of a mere “two squares,” or 10 square meters, which makes it difficult to analyze the findings in relation to the overall area. An excavation of this size, claims Mazar, is made only in situations where there is no other choice.

Mazar is also critical of the diggers’ intention to destroy the wall of the pit, which has not been properly investigated. She also notes that the dig “interferes with the nearby excavations,” which will undermine her ability to complete the research in the area. She claims that it is not acceptable to transfer an area being excavated by one archaeologist to another one, without the former’s consent.

Mazar raised these complaints to the director of the Jerusalem area in the Antiquities Authority, Dr. Yuval Baruch. He conveyed them to Antiquities Authority director Shuka Dorfman, who in turn rejected the complaints and approved the continuation of the excavation.

Antiquities Authority personnel said yesterday that Mazar, who asked to excavate the site and was turned down, received the status of a consultant to the excavation, but she wasn’t satisfied with that and turned to the council. An official reply from the Antiquities Authority said that “the excavation is a rescue dig for the purpose of tourism and the development of the national park. Near the site several archaeological excavations have been conducted, including that of Dr. Mazar. It seems that Dr. Mazar is trying to appropriate the site to herself and we regret that.”

Elad officials explained that it is not the association, but the Antiquities Authority that decides which archaeologist will conduct an excavation. Elad also claims that for several years Mazar has been aware of the project, which was designed to enable groups of tourists to visit the pit, and that she even promised not challenge it.

Attorney Boaz Fiel, representing Elad, noted in a letter that Mazar had signed a contract with the association, to the effect that she would not have “any claim or complaint against Elad regarding future excavations.” “In light of this clear and specific promise, how can we explain your present claim regarding any rights, as incomprehensible as they may be, to continue excavating at the site?” wrote Fiel.

The lawyer added:”It is hard to avoid the impression that your letter is nothing but an attempt to stop legitimate and vital work being carried out by our client, for reasons of ego and credit only, camouflaged as pseudo-professional complaints.” Fiel threatened to take legal steps against Mazar.

In the weekend newspapers Elad published large ads inviting the public to tour the new subterranean route that it has opened near the Western Wall complex. The ads were signed by the new public council of the association, headed by Nobel Peace Prize laureate Elie Wiesel.

*  *  *

City of David excavations. Slippery indeed. From BiblePlaces.com Blog

How’s the Museum Security Plan Coming Along?

Jordan Archaeological Museum, Amman

From the Washington Post 1 February 2011

Jordan’s king fires Cabinet amid protests

by Jamal Halaby

Associated Press

AMMAN, Jordan — Jordan’s King Abdullah II fired his government Tuesday in the wake of street protests and asked an ex-prime minister to form a new Cabinet, ordering him to launch immediate political reforms.

The dismissal follows several large protests across Jordan- inspired by similar demonstrations in Tunisia and Egypt – calling for the resignation of Prime Minister Samir Rifai, who is blamed for a rise in fuel and food prices and slowed political reforms.

A Royal Palace statement said Abdullah accepted Rifai’s resignation tendered earlier Tuesday.

The king named Marouf al-Bakhit as his prime minister-designate, instructing him to “undertake quick and tangible steps for real political reforms, which reflect our vision for comprehensive modernization and development in Jordan,” the palace statement said.

[…]

The king also stressed that economic reform was a “necessity to provide a better life for our people, but we won’t be able to attain that without real political reforms, which must increase popular participation in the decision-making.”

He asked al-Bakhit for a “comprehensive assessment … to correct the mistakes of the past.” He did not elaborate. The statement said Abdullah also demanded an “immediate revision” of laws governing politics and public freedoms.

For full story, click here.

Archaeology and the Criminal In Us

As we watch the events unfold in Cairo, as the flames rise from the NDP Headquarters, there are fears that the Cairo Museum would/will be damaged or destroyed.  Wild rumors of human chains protecting the museum from looters mirror the equally emotional cries (mostly by archaeologists) of the barbaric looting of the Baghdad Museum.

Antiquities are seen as an unalloyed good, the property of all humanity, above politics.  But are they just the fetishes of the powerful, tokens and illustrations of a narrative that separates the haves from the have-nots?

The fact is that the administration of antiquities in Egypt has been part and parcel of an arrogant and capricious regime. Past folds into Present in an insidious way.

Billboard at the entrance to Luxor Photo: Brian McMorrow

The monuments and relics of Ancient Egypt have not been administered for the good of the Egyptian people but have been mercilessly exploited as an economic cash cow for foreign tourism and have served as the propaganda icons of a historical narrative (of a “timeless” Egyptian essence) that has been used in so many ways to justify the autocratic centralization of the Sadat-Mubarak regime.

What we are seeing now in the streets of Cairo and other cities give lie to the idea of inevitable pharaonism and peasant docility.  It may not last. Who knows?  But it reveals, at least for a brief moment, the empty assertions of the official narrative.

And that brings us to archaeology.  The cowardly sycophants who have groveled for excavation permits, humiliatingly deferred to the uninformed press conferences of government functionaries about their own discoveries, and who have obsequiously pandered to the strange ravings and “mummy chasings” of a powerful man who tried his best to turn Egyptology into a bizarre kind of unlettered, unreflective entertainment should take time to reflect on how much they supported the regime that is now frantically trying to save itself.

It is interesting how so much of the behavior of colonial and neo-colonial archaeologists and the finds that are often so wildly acclaimed and displayed around the world are themselves evidence of exploitation, tyranny, and privilege wrested from the long-suffering people of Egypt.  It’s true not only of Egypt, but so many of the places where “expeditions” uncover the physical remains of what will inevitably become a retrospectively self-congratulatory narrative of power by and for those who are now powerful.

W.H. Auden put it best in the coda to his last poem, Archaeology, written in 1974, not long after a visit to digs of ruined fortifications, burnt tyrants’ palaces, and “national” museums filled with their selfishly gathered treasures throughout the Middle East:

From Archaeology

one moral, at least, may be drawn,

to wit, that all

our school text-books lie.

What they call History

is nothing to vaunt of,

being made, as it is,

by the criminal in us:

goodness is timeless.

And as if to underline the point that fine art archaeology has been fully implicated in the dark side of human civilization, just look at the news report of this new exhibition in Berlin, where the brutality of collection, exhibition, and its destruction are all deemed marginal factors– far less important than the main achievement of the precious artifacts being brought back to wholeness again:

From the Art News  – Saturday January 29, 2011

Statues Devastated in World War II Go on Show at the Pergamon Museum in Berlin

By Geir Moulson, Associated Press

BERLIN (AP)- The ancient gods and fantastical creatures going on show in Berlin this week have made an unlikely comeback from near-destruction.

Unearthed in present-day Syria a century ago, the 3,000-year-old basalt statues and stone reliefs in the exhibition, “The Tell Halaf Adventure,” shattered into thousands of pieces when their Berlin home was destroyed by bombing in 1943.

Fragments and a partial reconstructed sculpture are on display at the exhibition 'The Tell Halaf Adventure' at the Pergamon Museum in Berlin on Thursday, Jan. 27, 2011. The exhibition shows roughly 3,000-year old statues that have been pieced together over the past decade from fragments left behind when Berlin's Tell Halaf Museum was bombed in 1943. After the wartime bombing, the rubble was salvaged and stored for decades in the Pergamon Museum's cellars. Restorers sifted through some 27,000 fragments to restore the sculptures. AP Photo/Markus Schreiber.

The rubble was rescued, then slumbered in the vaults of the capital’s Pergamon Museum, then in East Berlin, for decades before a painstaking restoration project started in 2001.

Over the past decade, restorers sifted through around 27,000 fragments of rubble and gradually reassembled most of them.

About 40 resurrected figures — including a pair of lions that once bared their teeth at the entrance of a palace at Tell Halaf in northeastern Syria, a sphinx and a long-tressed female figure from a monumental grave — go on show to the public at the Pergamon Museum on Friday.

“No one could have imagined several years ago that this exhibition would be possible,” Michael Eissenhauer, the director of Berlin’s state museums, said Thursday. “Tell Halaf had been forgotten. It was thought to be certain that the pieces which disappeared in 1943 were irretrievably lost.”

German archaeologist Max von Oppenheim led excavations at the Tell Halaf site between 1911 and 1913. He first put the figures on display in Berlin in 1930, at a private museum in a former iron foundry that was destroyed during the war.

Oppenheim arranged for the rubble to be salvaged and stored in hopes of one day recreating the statues — but it would be decades after his death in 1946 before that dream was realized.

During Germany’s postwar division, the rubble lay across the Cold War divide from the collection’s owner, the Max von Oppenheim Foundation. Only in the 1990s, after German reunification, did officials start examining whether the statues might be restored.

The foundation helped fund the several-million-euro cost of the restoration.

For the full story, click here.

Sensing Weakness?

It’s interesting to see how dependent heritage “political correctness” is on the flow of politics.

Watching events unfold in Egypt– and maybe approach the tipping point– it’s instructive how the strident, uncompromising demands of a Mubarak functionary are now met with an uncompromising “no”…

From The Independent  January 26, 2011

Germany refuses to return bust to Egypt

By Tony Paterson in Berlin

A diplomatic row between Germany and Egypt over rights to the 3,400-year-old bust of the fabled Queen Nefertiti reopened yesterday when Berlin flatly refused to accept an official request from Cairo to return the priceless artefact to the banks of the Nile.

Nefertiti Bust in the Ägyptisches Museum Berlin. Photo: Magnus Manske

The world-renowned bust has been on public display in Berlin since 1923 following its discovery by the German archaeologist Ludwig Borchardt at Amarna in 1912. It rates as one of the capital’s top tourist attractions and is seen by some 500,000 visitors a year.

Egypt, which argues that Germany obtained the bust illegally and by deceit, has been lobbying for Nefertiti’s return for more than half a century. But on Monday, Zahi Hawass, the head of Egypt’s Supreme Council of Antiquities, declared that an “official request” had been sent to Berlin demanding the bust be handed back.

“We ask that this unique treasure be returned to the possession of its rightful owners, the Egyptian people,” the statement said.

Mr Hawass said the demand had received the full backing of the Egyptian Prime Minister and Culture Minister and was submitted to both the German government and the Prussian Cultural Heritage Foundation, which runs Berlin’s Neues Museum, where Nefertiti is on permanent display.

But Germany dismissed Egypt’s demands yesterday. “This is not an official request,” a foreign ministry spokesman insisted. “An official request is from one government to another,” he added. He said Germany, which argues that the bust is too fragile even to be loaned to Egypt, would continue to reject demands for Nefertiti’s return.

A Deal With the Devil, West African Style

From Wikipedia:

A deal with the Devil, pact with the Devil, or Faustian bargain is a cultural motif widespread in the West, best exemplified by the legend of Faust and the figure of Mephistopheles, but elemental to many Christian folktales. In the Aarne-Thompson typological catalog, it lies in category AT 756B – “The devil’s contract.”

According to traditional Christian belief in witchcraft, the pact is between a person and Satan or any other demon (or demons); the person offers his or her soul in exchange for diabolical favors. Those favors vary by the tale, but tend to include youth, knowledge, wealth, or power. It was also believed that some persons made this type of pact just as a sign of recognizing the Devil as their master, in exchange for nothing. Regardless, the bargain is a dangerous one, as the price of the Fiend’s service is the wagerer’s soul. The tale may have a moralizing end, with eternal damnation for the foolhardy venturer. Conversely it may have a comic twist, in which a wily peasant outwits the Devil, characteristically on a technical point.

But who’s making the deal here?  And who’s paying the price?

As a World Heritage site, Djenné, Mali, must preserve its mud-brick buildings, from the Great Mosque, in the background, to individual homes. Photo: Tyler Hicks/New York Times

From the New York Times  January 9, 2011

Mali City Rankled by Rules for Life in Spotlight

By NEIL MacFARQUHAR

DJENNÉ , Mali — Abba Maiga stood in his dirt courtyard, smoking and seething over the fact that his 150-year-old mud-brick house is so culturally precious he is not allowed to update it — no tile floors, no screen doors, no shower.

Who wants to live in a house with a mud floor?” groused Mr. Maiga, a retired riverboat captain.

With its cone-shaped crenellations and palm wood drainage spouts, the grand facade seems outside time and helps illustrate why this ancient city in eastern Mali is an official World Heritage site.

But the guidelines established by Unesco, the cultural arm of the United Nations, which compiles the heritage list, demand that any reconstruction not substantially alter the original.

“When a town is put on the heritage list, it means nothing should change,” Mr. Maiga said. “But we want development, more space, new appliances — things that are much more modern. We are angry about all that.”

It is a cultural clash echoed at World Heritage sites across Africa and around the world. While it may be good for tourism, residents complain of being frozen in time like pieces in a museum — their lives proscribed so visitors can gawk.

“The issue in Djenné is about people getting comfort, using the right materials without compromising the architectural values,” said Lazare Eloundou Assomo, the chief of the African unit of Unesco’s World Heritage Center.

Mr. Assomo ticked off a list of sites facing similar tension, including the island of St.-Louis in neighboring Senegal, the island of Lamu in Kenya, the entire island of Mozambique off the coast of the nation by the same name, or Asian and European cities like Lyon, France.

Here in Djenné, the striking Great Mosque is what put the town on the map. It is the largest mud-brick structure in the world, so unique that it looks as if it might have landed from another planet, an imposing sand castle looming over the main square. The architectural style, known as Sudanese, is native to the Sahel.

A trio of unique minarets — square, tapering towers topped by pointed pillars and crowned by an ostrich egg — dominate the facade. Palm tree boards poked into the mosque in rows like toothpicks create a permanent scaffolding that allows residents to swarm over the building to replaster the mud, an annual February ritual involving the entire town.

Djenné is the less famous but better preserved sister city to Timbuktu. Both reached their zenith of wealth and power in the 16th century by sitting at the crossroads of Sahara trade routes for goods like gold, ivory and slaves.

The town was also a gateway that helped spread Islam regionally. When the king converted in the 13th century, he leveled his palace and built a mosque. Mali’s French colonizers eventually oversaw its reconstruction in 1907.

The Grand Mosque was again near collapse when the Agha Khan Foundation arrived to begin a $900,000 restoration project, said Josephine Dilario, one of two supervising architects. The annual replastering had more than doubled the width of the walls and added a yard of mud to the roof. It was too heavy, even with the forest of thick pillars inside the mosque supporting the high ceiling — one for each of the 99 names of God.

In 2006, the initial restoration survey ignited a riot. Protesters sacked the mosque’s interior, attacked city buildings and destroyed cars. The uprising was apparently rooted in the simmering tension among the 12,000 townsfolk, particularly the young, who felt forced to live in squalor while the mosque imam and a few prominent families raked in the benefits from tourism.

The frustration seems to have lingered. While the mosque graces the national seal, residents here appear markedly more sullen about tourism than in many other Malian cities. They often glower rather than smile, and they tend to either ask for money or stomp off when cameras are pointed in their direction.

With the mosque restoration nearing completion, the town is focusing attention on other critical problems — raw sewage and the restoration of the nearly 2,000 houses.

“There is a kind of tension, a difficulty that has to be resolved by not locking people into the traditional and authentic architecture,” said Samuel Sidibé, the director of Mali’s National Museum in Bamako, the capital…

For full story, click here.

Counting Down to 100 Years of “Scientific Study”

Artifacts from Machu Picchu on display at Yale’s Peabody Museum (AP photo, 2006)

From NY Times Arts Beat Blog November 3, 2010

Peru Seeks Obama’s Help in Dispute With Yale

By Randy Kennedy

Escalating a war of words between his government and Yale University, President Alan García of Peru has made a formal request for President Obama’s intervention in a long-running dispute over the ownership of a large group of artifacts excavated in 1912 at Machu Picchu by a Yale explorer.

Peru has argued that the items were only lent to the university and should have been returned long ago. Yale has contended that it returned all borrowed objects in the 1920s, retaining only those to which it had full title. In 2007 the sides reached a tentative agreement that would have set up a long-term collaboration and granted title of the disputed antiquities to Peru while allowing a certain number, including the piece above, to remain at Yale for study and display. But that deal fell apart in 2008, and Peru filed a civil suit in federal court in Connecticut.

Last month Peru said it was also prepared to pursue criminal charges against Yale if the items were not returned. In his letter to the White House on Tuesday Mr. García said it was only “just and necessary” for President Obama to step in. In a statement after the threat of criminal sanctions, Yale said that while it respected “Peru’s interests in archaeological material from Machu Picchu,” it also owed “a duty to academic and cultural institutions everywhere to recognize their important contributions to the study and understanding of all the world’s cultures.”

*   *   *

Do the following projects really justify the right of Yale University to keep physical possession of the Machu Picchu finds?

(From a Yale University Press Release)

“Currently underway at Yale are a number of important scholarly studies of the Machu Picchu materials that promise to reveal more about Inca life and culture. Many of these studies involve newly developed scientific techniques and equipment, including the following:

  • A study of the metals from Machu Picchu using a scanning electron microprobe.
  • A study of the production patterns of Machu Picchu pottery using instrumental neutron activations analysis, funded by the U.S. National Science Foundation.
  • A definitive monograph on the ceramics from the Inca burials at Machu Picchu, which will appear in Yale University Publications in Anthropology
  • A study of the DNA of the human bones in the collection that will shed light on the origins of the population at Machu Picchu as well as the biological relationships among the individuals who were buried there.
  • A study of the thoracic skeletal morphology of Machu Picchu and high-altitude hypoxia in Andean prehistory.
  • A study of the servant class of Machu Picchu, with a focus on their life stories and population dynamics, through an isotope study of human teeth.

“Keeping a portion of the study collections at the Yale Peabody Museum will ensure the continuation of this and similar research, and the applications of new analytical techniques to the collection as these are developed.”

 Um… does that mean, like, forever???

You shut up! No, YOU shut up!

The latest volley in the Caucasus Cultural Heritage War.

From News.am October 22, 2010

Historical monuments incontrovertibly prove belonging of liberated territories to Armenian statehood

 The best way to challenge Azerbaijan’s deceitful agitation campaign is to study historical monuments, Armenian archeologists say. Azerbaijan is claiming that Artsakh’s territory is a part of Western Azerbaijan, while studying historical monuments will incontrovertibly prove belonging of the liberated territories to entire Armenian cultural and historical heritage.   

Archeologists Artak Gnuni and Hakob Simonyan noted that archeological expeditions have been made in the liberated territories, as well as Syunik region sicne early 1990s. “Our excavations revealed that historical monuments located in the liberated territories belong to single Armenian cultural heritage,” they said. In particular, they spoke of unique valley of tombs discovered in Kereni, Kashatakh region of Karabakh. According to them, despite the fact the valley belongs to pre-Christian period, it was well preserved, while research proved that people residing in this territory preached Armenian heathen beliefs. “Does not it prove that the liberated territories were a part of the Armenian state in cultural and political aspect?” they wonder. Studying Kereni tomb they also traced influence of Van Kingdom civilization.

They also complained about shortage of government’s attention to historical monuments. About 800 m of Kereni tomb were damaged due to construction of roads in this territory. “We need roads but not at the expense of historical monuments,” they added. The archeologists stated that the Nagorno-Karabakh leadership expressed interest in research of the valley and have funded excavations within recent year.

So Cut the Baby in Half Already!

Everyone knows the story of King Solomon’s Judgment of the Two Mothers who both claimed the same baby.  Knowing that the true mother would prefer to give up the infant rather than see it harmed, he awarded its custody to the woman who did not want to see the baby cut in half.

Philip Roth, in his brilliantly hilarious novelized biography of King David, God Knows, has a slightly different take on the incident.  Picturing King David as a Mel-Brooks-type wisecracking old cynic, and his son Solomon as nothing more than a self-centered dummy pushed ahead in life by a doting mother, Roth has David quip about that famous Solomonic ruling:

“I’ll let you in on a secret about my son Solomon:  he was dead serious when he proposed cutting the baby in half, that putz.  I swear to God.  That dumb son of a bitch was trying to be fair, not shrewd…”

And so it also seems to be in cultural heritage, where cutting the baby in half is the preferred means of settling disputes between conflicting narratives.  First it was the idea of the Israeli-Palestinian Working Group that partitioning archaeological sites according to territorial distribution would aid, not hinder, the effort for Israeli-Palestinian peace.  ( see my op-ed and theirs)

Well that proposal was a non-starter.  The cultural heritage tail could never wag the diplomatic and military dog.  Besides, the possession of or sovereignty over old heaps of stones makes absolutely no impression on people who don’t accept the owner’s narrative.    

And in the world of heritage today,  it’s all about narrative, not possession.  It’s a shame that we have inherited laws and concepts that make heritage (read: collective memory) just another national resource, subject to exclusive claims of sovereignty and the victim of total control by state authorities.

Of course there need to be some centralized professional bodies to deal with issues of protection and conservation, but the idea that a heritage site belongs legally and exclusively to any one state, group, body, or pressure group is asking for trouble– and as much as inviting counter-narratives and continuing strife.

If you don’t believe me, check out this other, similar cultural heritage trainwreck about to happen:

From the New York Times September 30, 2010

Indian Court Divides Disputed Ayodhya Holy Site

by Jim Yardley

NEW DELHI — In a case that spanned centuries of religious history and languished in the legal system for six decades, an Indian court issued a historic ruling Thursday on the ownership of the country’s most disputed religious site by effectively handing down a split decision: granting part of the land to Hindus and another part to Muslims.

The unorthodox decision by a three-judge panel in the state of Uttar Pradesh provided a Solomonic resolution — if one likely to be appealed to India’s Supreme Court — to a case the authorities had feared might unleash religious violence across India.

Nearly 200,000 state and federal officers were deployed across Uttar Pradesh as a precaution, as almost every major political figure in the nation, led by Prime Minister Manmohan Singh, appealed for calm and harmony.

The case was considered especially combustible because the contested site, in the city of Ayodhya, was the scene of a searing act of religious violence in 1992 when Hindu extremists tore down an ancient mosque known as the Babri Masjid on the property. The destruction sparked riots that spilled into the following year and have been blamed for about 2,000 deaths.

For full article, click here.

From Al-Jazeera TV:

Pretty Brutal, No?

Human Dignity can never be divided or based on disrespect.

 

Barbarism in the name of “Tolerance” continues in Jerusalem.  How ashamed of our selfishness and self-serving hypocrisy we will all be when we finally come to our senses– or when the flow of History demands that we do.  

Just look at this.  

And look at my earlier posts of Feb 10 and Feb 12 for some context.